Jerome Felder AKA Doc Promus 1925–1991. Writer of popular songs, blues singer and polio survivor

Brooklyn-born Jewish Jerome Felder reinvented himself first as a blues singer, renaming himself Doc Pomus (1925-1991), then emerged as one of the most brilliant songwriters of the early rock and roll era. His songs embody a greater emotional depth and dark pathos not heard in most of the work at the time :- Save the Last Dance for Me, This Magic Moment, A Teenager in Love, Viva Las Vegas, Lonely Avenue, Can’t Get Used to Losing You and dozens of other hits. For most of his life Doc used crutches and a wheelchair because of the polio he had as a child. He lived more during his 65 years than others could experience in several lifetimes. Now a film A.K.A. DOC POMUS brings to life Doc’s joyous, romantic, heartbreaking and extraordinarily eventful journey. Recalling his early days in the clubs of New York, “I walked slow and straight and never swung my legs fast and awkwardly like the rest of the ‘gimps’ who got around with braces and crutches. My main thing was to act and look cool – angry, and cool and sharp”.

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Jerome Solon Felder (June 27, 1925 – March 14, 1991), known as Doc Pomus, was an American blues singer and songwriter. He is best known as the lyricist of many rock and roll hits. Pomus was inducted into the Rock and Roll Hall of Fame as a non-performer in 1992, the Songwriters Hall of Fame (1992)and the Blues Hall of Fame (2012).

Early life


Born Jerome Solon Felder in 1925 in BrooklynNew York, he was the son of Jewish immigrants.[5] Felder became a fan of the blues after hearing a Big Joe Turner record. Having had polio as a boy, he walked with the help of crutches. Later, due to post-polio syndrome, exacerbated by an accident, Felder eventually relied on a wheelchair.

His brother is New York attorney Raoul Felder.


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Using the stage name “Doc Pomus”, teenager Felder began performing as a blues singer. His stage name was not inspired by anyone in particular; he just thought it sounded better for a blues singer than the name Jerry Felder. Pomus stated that more often than not, he was the only Caucasian in the clubs, but that as a Jew and a polio victim, he felt a special “underdog” kinship with African Americans, while in turn the audiences both respected his courage and were impressed with his talent. Gigging at various clubs in and around New York City, Pomus often performed with the likes of Milt JacksonMickey Baker and King Curtis. Pomus recorded approximately 40 sides as a singer in the ’40s and ’50s for record companies such as Chess, Apollo, Gotham and others.

In the early 1950s, Pomus started writing magazine articles as well as songwriting for artists such as Lavern Baker, Ruth Brown, Ray Charles and Big Joe Turner to earn more money to support a family, after he had married Willi Burke, a Broadway actress. His first big songwriting break came when he chanced upon the Coasters‘ version of his “Young Blood” on a jukebox while on honeymoon. Pomus wrote the song, then gave it to Jerry Leiber and Mike Stoller, who radically rewrote it. Still, Pomus had co-credit as author, and he soon received a royalty check for $2,500 (US$21,783 in 2017 dollars), which convinced him that songwriting was a career direction worth pursuing. By 1957, Pomus had given up performing for full-time songwriting. He collaborated with pianist Mort Shuman, whom he met when Shuman was dating Pomus’s younger cousin, to write for Hill & Range Music Co./Rumbalero Music at its offices in New York City’s Brill Building. Pomus asked Shuman to write with him because Pomus didn’t then know much about rock and roll, whereas Shuman was familiar with many popular artists of the day. Their songwriting efforts had Pomus write the lyrics and Shuman the melody, although often they worked on both. They wrote the hit songs “A Teenager in Love“, “Save The Last Dance For Me“, “Hushabye“, “This Magic Moment“, “Turn Me Loose“, “Sweets For My Sweet” (a hit for The Drifters and then The Searchers), “Go Jimmy Go”, “Little Sister“, “Can’t Get Used to Losing You“, “Suspicion“, “Surrender” and “(Marie’s the Name) His Latest Flame“.

During the late 1950s and early 1960s, Pomus wrote several songs with Phil Spector (“Young Boy Blues”; “Ecstasy”; “What Am I To Do?”), Mike Stoller and Jerry Leiber (“Young Blood” and “She’s Not You”), and other Brill Building-era writers. Pomus also wrote “Lonely Avenue“, a 1956 hit for Ray Charles.


In the 1970s and 1980s, in his eleventh-floor, two-room apartment at the Westover Hotel at 253 West 72nd Street, Pomus wrote songs with Dr. JohnKen Hirsch and Willy DeVille for what he said were “…those people stumbling around in the night out there, uncertain or not always so certain of exactly where they fit in and where they were headed.” These later songs (“There Must Be A Better World”, “There Is Always One More Time”, “That World Outside”, “You Just Keep Holding On”, and “Something Beautiful Dying” in particular)—recorded by Willy DeVilleB.B. KingIrma ThomasMarianne FaithfullCharlie RichRuth BrownDr. JohnJames Booker, and Johnny Adams—are considered by some, including writer Peter Guralnick, musician and songwriter Dr. John, and producer Joel Dorn, to be signatures of his best craft.

The documentary film A.K.A. Doc Pomus (2012), conceived by Pomus’ daughter Sharyn Felder, directed by filmmaker Peter Miller, edited by Amy Linton and produced by Felder, Hechter and Miller, details Pomus’ life.

Pomus died on March 14, 1991 from lung cancer, at the age of 65 at NYU medical center in Manhattan.

Doc Promus later in life

Legacy and influence

Together with Shuman and individually, Pomus was a key figure in the development of popular music. They co-wrote such hits as “Save the Last Dance for Me“, “This Magic Moment“, “Sweets for My Sweet“, “Viva Las Vegas“, “Little Sister“, “Surrender“, “Can’t Get Used to Losing You“, “Suspicion“, “Turn Me Loose” and “A Mess of Blues“.

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